Scene 1 - The girls are spinning
Non diagetic sound -Music written by Esther Rowe and Adam Bridgeford fades in and out of the scene, with the loud sound of the young girls laughter layered over the top to feel overwhelming.
Two young girls are spinning in the centre of a huge hall and a man (one of the girls fathers) is watching through a window at the side of the room.
(they giggle wildly and loudly)
The father bursts through the door.
Father: Annabel, Why haven't you come to dinner?
Annabel: quiet and scared Can't Alice come with me?
Father: he drags Annabel out of the room I think it's time that you stopped playing with your imaginary friends.
Camera angles in this scene should be used to make Annabel look small and vulnerable in comparison to her father,do this by using high shots of Annabel and low shots of the Father to accentuate his dominating power over her. As well as this use a wheelchair possibly to circle the girls when spinning so as to get a sense of pace and add to the overwhelming feel of the sequence.
ANIMATION- Credits - The Non-Diagetic sound of pencil being scribbled on paper, as if the animation is being drawn.
Young Annabel- Abigail Robinson
Young Alice-Emily Robinson
Older Annabel- Sarah Hill
Older Alice- Lucy Hill
Father- Caleb Rowe
Scene 2- Older Annabel is attacked. (no dialogue)
Non diagetic sound- Piece of music written by Esther Rowe and Adam Bridgeford- fades in and out, quietly but leaving space for periods of silence to add to tension of scene.
no dialogue througout scene, but these are directions.
Annabel walks across room to get into bath, she washes herself seductively with the water.
She closes her eyes in thought and Alice appears next to the bath, stroking the side of the tub and then forcing Annabel under the water. As Annabel emerges she realises Alice is gone, rushes over to the door which she slams shut and moves over to the mirror. She strokes her eyes as if tired from sleepless nights and then turns fast as she realises Alice is stood behind her. Alice lifts up her hand to stroke Annabels hair, Annabel blinks and Alice is gone. She is alone.
Camera angles in this scene should be used to make Annabel look small and vulnerable, high angles when filming her and to also fettishize her 'washing herself' much like in Alfred Hitchcocks Psycho. The rhythm and tempo of this sequence should be slow and tense so that Alice's invasion builds up enigma.
Non diagetic sound -Music written by Esther Rowe and Adam Bridgeford fades in and out of the scene, with the loud sound of the young girls laughter layered over the top to feel overwhelming.
Two young girls are spinning in the centre of a huge hall and a man (one of the girls fathers) is watching through a window at the side of the room.
(they giggle wildly and loudly)
The father bursts through the door.
Father: Annabel, Why haven't you come to dinner?
Annabel: quiet and scared Can't Alice come with me?
Father: he drags Annabel out of the room I think it's time that you stopped playing with your imaginary friends.
Camera angles in this scene should be used to make Annabel look small and vulnerable in comparison to her father,do this by using high shots of Annabel and low shots of the Father to accentuate his dominating power over her. As well as this use a wheelchair possibly to circle the girls when spinning so as to get a sense of pace and add to the overwhelming feel of the sequence.
ANIMATION- Credits - The Non-Diagetic sound of pencil being scribbled on paper, as if the animation is being drawn.
Young Annabel- Abigail Robinson
Young Alice-Emily Robinson
Older Annabel- Sarah Hill
Older Alice- Lucy Hill
Father- Caleb Rowe
Scene 2- Older Annabel is attacked. (no dialogue)
Non diagetic sound- Piece of music written by Esther Rowe and Adam Bridgeford- fades in and out, quietly but leaving space for periods of silence to add to tension of scene.
no dialogue througout scene, but these are directions.
Annabel walks across room to get into bath, she washes herself seductively with the water.
She closes her eyes in thought and Alice appears next to the bath, stroking the side of the tub and then forcing Annabel under the water. As Annabel emerges she realises Alice is gone, rushes over to the door which she slams shut and moves over to the mirror. She strokes her eyes as if tired from sleepless nights and then turns fast as she realises Alice is stood behind her. Alice lifts up her hand to stroke Annabels hair, Annabel blinks and Alice is gone. She is alone.
Camera angles in this scene should be used to make Annabel look small and vulnerable, high angles when filming her and to also fettishize her 'washing herself' much like in Alfred Hitchcocks Psycho. The rhythm and tempo of this sequence should be slow and tense so that Alice's invasion builds up enigma.